Minimalism in Germany. The Sixties II
Abstraction and Seriality, Zero, Concrete Tendencies and Sculpture as Action
The first exhibition in the ‘Minimalism Germany 1960 series in 2010 comprehensively showed major trends in reduced, abstract 1960s art in Germany from the Daimler Art Collection. The second part concentrates on a small number of protagonists who essentially represent a specifically German aspect of Minimalism as an international trend in the 1960s with large-scale work, serial picture objects and action-oriented work concepts. The exhibition takes the example of striking protagonists, bringing together about 40 works to reflect on trends in Conceptual Art, Minimalism and seriality, linked with the cities of Frankfurt, Düsseldorf, Hamburg, Stuttgart and Berlin.
31 March – 9 September 2012
Haus Huth / Alte Potsdamer Straße 5 / 10785 Berlin
daily 11 a.m. - 6 p.m.